Thursday, April 25, 2013

Springtime, Sheep, Stitches, Suspicious Chickens, and the Studio

Coffee with ultra-pasteurized, fat-free half and half and Italian Sweet Cream Coffee Mate in the Denver skyline mug... I'm baaaaack! (Emphasis on the baaaa). Springtime in Atlanta--except for a few blissful days at the beginning--means lots and lots of pollen so I am writing from the comfort of the couch instead of the front porch even though it is a beautiful day. The cleaning people are also actually vacuuming the porch as I write as there is so much pollen on it. We even had it pressure-washed after the majority of the pollen fell and it was still covered in pollen this morning. Hello Allegra.

Last Sunday we doubled the size of our flock--though the new additions currently live in Mom's bedroom upstairs (she's still in the main floor office/bedroom recovering from her surgery). They are only a bit over a week or two old so they will be in a plastic bin with a heat lamp for the next few weeks. We have two Polish Top Hats, two Salmon Favorelles, two Blue Cochins (the same breed as Sadie and Half Moon), and two Mottled Houdans.



I'm going to start this next set off with a story about the North Atlanta/Southern Decatur urban farm industry. (Choctaw Bingo anyone? I am clearly counting down the minutes till I see James McMurtry live tonight--But back to the chickens). My right arm is very sore today. The night before last I was in the East Lake Community Learning Garden and Urban Farm (two blocks from our house and my studio) helping round up their sheep when I caught my foot on a nasty cut-off stump and took a major fall. I was lucky I didn't skewer my eyeball out on another pokey bit of wood (it hit me in the forehead instead), but not so lucky that the stumpy thing I tripped over didn't gash right through the meaty part of the ball of my foot. I was wearing my hiking Keenes which are closed-toed and heavily supportive while at the same time are still sandals with openings in the sides for air circulation--hence the gash. I was stunned enough by the fall that I didn't realize I had cut my foot until a few minutes later when (squeamish people stop reading here and skip ahead a bit) I felt the blood pooling in the shoe and squelched when I walked. I was focused on not letting the sheep get by me, you see. Of course I utterly failed to prohibit the getting-pastness when I fell, and they blithely and nimbly zoomed right by as I lay dazed in the muck.

When I got home I was already ate for dinner and the wait at the ER would have been horrendous so I chose not to go in for professional cleaning and stitches, and I cleaned out the cut with hydrogen peroxide, slathered it in Neosporin, covered it with gauze, and wrapped it up tight. It looked like it had already started to close and seal up so I figured I didn't need stitches. Unfortunately the next morning when I went to change the bandage, the wound gaped open and gushed blood. I showered, recleaned and bandaged it, mopped the floor, and headed off to urgent care. The very nice doctore there told me the stitches probably wouldn't hold because it had already been 14 hours since I cut it, but he jabbed me with a few needles and sewed up the cut before giving me a prescription for antibiotics and painkillers. Then the nurse covered the bandage with a bright lime-green stretchy wrap and I hobbled out to the car and home.

So, away from the blood and gore part of the story, why were we trying to catch the sheep? Because we were bringing them to our house for a play date with the bunnies and chickens. Really. Remember as I report this that we live in urban Atlanta--not even in the suburbs. The Garden is two blocks from our house. Unfortunately, over the past week the lamb (one of the three sheep) and three of the five goats were killed by one or more dogs and maybe coyotes in a series of nighttime attacks. The first night three of the goats were killed, and, as their bodies were left intact, it was surmised that it was an attack by dogs--coyotes would not leave the meat. But the next attack was either a coyote (fur left on the fence supports this hypothesis) or a hungry dog as the lamb was killed and partially eaten. Did I say we were away from the blood and gore part of the story? Apparently I lied. So to obviate any more deaths, the parent sheep (I call them George and Amelia, the Garden staff calls them Edmund and Irma, and Dave calls them Kebab and Biryani) were invited to spend some time in our yard, safely penned at night with the bunnies and free to range with the chickens during the day. When the last goat--who thinks she's a sheep anyway and was probably spared in the first attack because she hung with them and they protected her--is released from the vet's today, she will join them here. Welcome to the Siyeh Studio Urban Farm.


But what about the chickens and bunnies, how do they feel about the newcomers, you ask. Well, the bunnies couldn't care less--they just dodge the sheep's feet and don't seem bothered at all. The chickens, on the other hand, are highly suspicious of the new ruminants in their midst. So suspicious, in fact, that said ruminants were not released from the play yard to roam free today*. Yesterday they roamed, and whenever they got spooked (like when we tried to get them back in with the bunnies) they would charge madly through the yard scattering chickens in their wake. Feathers were--to put it mildly--ruffled. The day ended when Dee (another Dee, not our studio elf Dee)--their primary caretaker--arrived and found Pearl (our pearl leghorn) in the middle of Memorial Drive during rush hour after she had been spooked over the fence by the sheep. We were (mostly Pearl was) VERY lucky no one hit her as she was in the middle of three lanes on a very fast, busy thoroughfare.

That brings the current animal count at Siyeh Studio/Casa Griffith to two sheep, one goat, 15 chickens, two dogs, a cockatiel, four rabbits, and five fish. Whew! Hope they get the shelter built at the community gardens soon...

Now this last little paragraph is about Glass. It's springtime which means we are running classes (something we don't do much int he summer as I am in Montana for most of it). Saturday I have a full class (the first of the Kiln-forming 1-2-3 series), we are still in full production from a stunningly successful Buyer's Market show in February, and date nights in the hotshop go on. Open Studio has been hopping with two very focused students preparing new work--one for a show and one for fun. In short, life at the studio is just STUPENDOUS (a last tip of my hat to the alliteration of the day).

*The ruminants apparently roam having been released when the goat arrived. Dave and I are heading out to see them now. Awww, isn't that goat adorable? She's so little!! It must be the perspective of this photo that makes her look bigger. In person, she's tiny-lamb-sized.

Tuesday, December 04, 2012

Back to Real Life

I hear the coffee brewing, and I am already showered and dressed for the day. In ten minutes I will take the J to school and then swing by the feed store to pick up a metric ton of chicken food. I don't actually know what a metric ton is (it wasn't a quantity with which I had to familiarize myself in the writing of the book) but, surely, the bags and bags and bags I am off to buy qualify.

It's good to back to a normal life (note that normal does not equal either quiet or restful). Orders to fill, a newsletter to write, glass to inventory... Oh yes, and a few more pesky book details to wrap up/projects to fire. The tjantings were fun yesterday, but the initial results were disappointing. Not surprisingly, if something is an advanced technique/breaking new ground it probably won't work out the first time (or everyone would be doing it).

Transitions back into normal life are hard, and I'm actually kind of glad mine is happening at an already chaotic time of the year as the transition has a bit less impact. The past year has been filled with new things--most of them in glass. It has left me with nightly vibrant, active dreams and a restless need to play (mad scientist) every day. But I'm not a mad scientist. Right now I'm a Mom and a chicken feeder--time for posting is up.

Monday, December 03, 2012

The Mad Scientist Has Risen!

Got the hotplate heating a bowl of water for a little double-boiler action and melting beeswax this afternoon in the studio. Also got out my tjantings (shown right) to do some drawing on glass with them. It's really too bad the book is (mostly) done and in the hands of the copy editor as I have visions of creating batik in glass dancing in my head and wouldn't mind adding a section on it. I just know it's possible... In the meantime the tjantings and beeswax are useful for another technique that *does* show up in the book so I'm not frittering my day away on FUN (heaven forbid).

So, done. Wow. I want to revel on that idea for awhile before I have to add the caveat of the first draft is 98% done (I remember writing  finish later in a few places that I am pretty sure the copy editor is going to notice). The photography is also mostly done with just the beauty shots (finished project photos) and a couple of projects I am still futzing with (screen printing and the fused box) left to do. It seems like every time on those two I get to the "this is it, this is how I'm going to do it and write it up" stage, I tweak the process or the materials or SOMETHING a bit and have to work the changes into both the manuscript and the photos.

Today is mostly over in terms of studio work. Managed to ship orders today, and I'll fire another order that needs to ship asap. I think I'll put another glass clay vessel in the kiln (I'm still tweaking the firing schedule on that project, but the clay itself is incredible), go get chicken food, take the child to cello, and prepare for a night of putting photos with text and more editing.

Decided on Saturday to go ahead and do the artist studio show (the Siyeh Sleigh Ride) this year and spent yesterday putting together the email announcement and the web page for it. Tomorrow I will send out the end of the year newsletter and I am going to offer some sweet glass, kiln, and class deals.

Life is good. Off to (live every day as if my hair is on) fire.


Monday, October 15, 2012

One Week--And I Don't Mean the Barenaked Ladies Song

Huckleberry coffee (with Italian Sweet Cream creamer--of course) in the Alaska skyline mug. There is a poetic symmetry there that hums for me this morning. I'll say one thing for the book project--it's kept me too busy to miss fall in Montana! And today begins the countdown of the last week on the manuscript. There are no more time increments--other than days, hours and minutes... and aren't they scary!--into which to break my remaining work. (It's unfortunate when the correct grammatical construction sounds awkward. *sigh*)

As can be gleaned from the preceding almost-paragraph, my mind flits and flies in all different directions simultaneously these days--much more so than usual. I highly disrecommend writing a non-linear book for anyone with the slightest bit of ADD as the activity will just exacerbate the condition excruciatingly.

Today was supposed to be the day when I started organizing all of my my musings and dictations into a coherent manuscript. I was supposed to have all the techniques and projects finished and documented. Instead, I have about half a dozen of them in various states of doneness and a brain full of marbles. But, since whining about it never got anything done, I am going to ruck my big girl panties up, and Get On With It! Off to play with glass clay...

Friday, October 12, 2012

Nine Days, Eight Chickens

Huckleberry coffee in the Chicago skyline mug, the hum of the studio fans and the traffic outside for my morning music. Today is the first of the single-digit days in the countdown to the deadline for the completion of my manuscript. I am exhausted. My mother (my scribe) is exhausted. Dee (the book minion and one of the studio elves) is exhausted. Exhaustion is rampant. And yet, I, at least, am also exhilarated. Barring unforeseen catastrophe, and with all requisite knocking on wood, I will finish on time. I have 191 pages of text out of 240, and we have been cranking out 6-12 pages a day for the past week or so.

But hubris is ever the nemesis. I no sooner wrote the above paragraph than I discovered Baxter had been left in the backyard. With the chickens. And then there were eight. We mourn Willow, and I dread telling Jessie when she gets home. It took time, a shovel and a pick-ax--and I still didn't get very deep--but Willow is laid to rest in the bamboo with a very large rock over her grave. And wasn't I the one who was contemplating eating our girls at some point when they grew old? Guess that's right out when I am this undone by the end of one. And Baxter. Now that he's killed one, he can never be let out into the yard with them again. I'll need to find time this weekend to fix the front yard gates so they both close easily and he can be let out there.


Now I need to gather myself back together and get on with work. Oh this is hard.


Saturday, September 22, 2012

Soundtrack For a Book

Yesterday marked one month till the book is due. Nothing exists outside of it--even writing this post is an extension of book immersion. The focus of my world has narrowed to the temporary detriment of family, friends, business, and world. But not the chickens; I still have attention for my girls.

In true obsessive mode, there is a soundtrack for the book. A drumbeat moving me along, a heartbeat keeping me alive and writing. I start every day with it and every night ends with it. I wake up daily to the refrain of "The Highwayman" by Alfred Noyes as sung by Loreena McKennitt running through my head. Daily. Really.

So here's the soundtrack of my narrow world. Share. Enjoy. Favorites are highlighted:

The Absentee Crooked Still
Adagio From Fantasy For A Gentleman Patrick O'Hearn
Ah! Lovely night N. Polozkov/Soviet Army Chorus/Soviet Army Band/Col. Boris Alexandrov
Ahi Wela / Twinkle Twinkle Little Star Israel Kamakawiwo'ole
All Souls Night Loreena McKennitt
Allegria Gipsy Kings
Ami Wa Wa (Solo Por Ti) Gipsy Kings
Amor de Loca Juventud Buena Vista Social Club
Amor, Amor Gipsy Kings
Angeline James McMurtry
Annachie Gordon Loreena McKennitt
As I Roved Out Loreena McKennitt
Baby, What's Wrong With You? Crooked Still
Backlash Love Affair Richard Thompson
Baila Me Gipsy Kings
Balanco Carioca Mikael Mutti
Bamboleo Gipsy Kings
The Band Played Waltzing Matilda The Pogues
Bandura I. Savchuk/V. Fedorov/Soviet Army Chorus/Soviet Army Band/Col. Boris Alexandrov
The Battle March Medley The Pogues
Bayou Tortous James McMurtry
Beeswing Richard Thompson
Before Gas and Tv Mark Knopfler
Bem, Bem, Maria Gipsy Kings
Beneath a Phrygian Sky (Gordian Version) Loreena McKennitt
Between the Shadows Loreena McKennitt
Billy's Bones The Pogues
A birch tree in a field did stand I. Didenko/Soviet Army Chorus/Soviet Army Band/Col. Boris Alexandrov
The Body of an American The Pogues
Bolero Gipsy Rayes
Bonny Portmore Loreena McKennitt
The Bonny Swans Loreena McKennitt
Boom, Like That Mark Knopfler
Border Reiver Mark Knopfler
Bottle Of Smoke The Pogues
Breaking the Silence Loreena McKennitt
Brian Boru's March Loreena McKennitt
The Broad Majestic Shannon The Pogues
Buena Vista Social Club Buena Vista Social Club
Caminando Por la Calle Gipsy Kings
Candela Buena Vista Social Club
Captain, Captain Crooked Still
The Car Was the One Mark Knopfler
Cé Hé Mise le Ulaingt? (The Two Trees) Loreena McKennitt
Chaharmezrab, Mahur Matthew Moadel, Said Moadel & Yahya Moadel
Chan Chan Buena Vista Social Club
Choctaw Bingo James McMurtry & The Heartless Bastards
Courtyard Lullaby Loreena McKennitt
Cry Me a River Richard Thompson
Cymbeline Loreena McKennitt
Dante's Prayer Loreena McKennitt
Danza Mora Matthew Moadel, Said Moadel & Yahya Moadel
The Dark Night of the Soul Loreena McKennitt
De Camino a la Vereda Buena Vista Social Club
The Death of Queen Jane Loreena McKennitt
Dickens' Dublin (The Palace) Loreena McKennitt
Did You Sleep Well? Crooked Still
Dirty Old Town The Pogues
Djobi Djoba Gipsy Kings
Don't Crash the Ambulance Mark Knopfler
Don't Sit on My Jimmy Shands Richard Thompson
Dos Gardenias Buena Vista Social Club
Down By the Sally Gardens Loreena McKennitt
Duende Gipsy Kings
Dusty Pages James McMurtry
Easy There, Steady Now Richard Thompson
El Camino Gipsy Kings
El Carretero Buena Vista Social Club
El Cuarto de Tula Buena Vista Social Club
The Emigration Tunes Loreena McKennitt
The English Ladye and the Knight Loreena McKennitt
Escucha Me Gipsy Kings
Este Mundo Gipsy Kings
Faena Gipsy Kings
Fairytale Of New York The Pogues
Far Away Evgeny Belaiaev/Soviet Army Chorus/Soviet Army Band/Col. Boris Alexandrov
Fast Food Richard Thompson
Fiesta The Pogues
Fire Line Road James McMurtry
Florence Crooked Still
For The Sake Of Mary Richard Thompson
Forro da Fruta (Bonus Track) Carlinhos Brown & Mikael Mutti
Freeway View James McMurtry
Full Circle Loreena McKennitt
The Gates of Istanbul Loreena McKennitt
The Gentleman Soldier The Pogues
Get Lucky Mark Knopfler
God Loves a Drunk Richard Thompson
Greensleeves Loreena McKennitt
Grey Walls Richard Thompson
Gwenlaise Scott Cossu with Eugene Friesen
Habla Me Gipsy Kings
Hands Like Rain James McMurtry
Hanohano Wale No Na Cowboy / Ka Huila Wai Israel Kamakawiwo'ole
Henehene Kou 'Aka Israel Kamakawiwo'ole
Hi'ilawe Israel Kamakawiwo'ole
The Highwayman Loreena McKennitt
Homayoun-Bidad, Soleares Matthew Moadel, Said Moadel & Yahya Moadel
Hotel California (Spanish Mix) Gipsy Kings
Huron 'Beltane' Fire Dance Loreena McKennitt
Hurricane Party James McMurtry
I Can't Wake Up To Save My Life Richard Thompson
I Feel So Good Richard Thompson
I Misunderstood Richard Thompson
I Ride In Your Slipstream Richard Thompson
I'm a Man You Don't Meet Every Day The Pogues
I've Got No Strings Gipsy Kings
If I Should Fall From Grace With God The Pogues
In This Life Israel Kamakawiwo'ole
Incantation Loreena McKennitt
Inspiration Gipsy Kings
Iolanthe James McMurtry
Jaleandando Gipsy Flamenco Guitarras
Jesse James The Pogues
Just Us Kids James McMurtry
Kaleohano Israel Kamakawiwo'ole
Kalinka Evgeny Belaiaev/Soviet Army Chorus/Soviet Army Band/Col. Boris Alexandrov
Kecharitomene Loreena McKennitt
Keep Your Distance Richard Thompson
King Of Bohemia Richard Thompson
La 'Elima Israel Kamakawiwo'ole
La Bayamesa Buena Vista Social Club
La Dona Gipsy Kings
La Rumba de Nicolas Gipsy Kings
La Serenissima Loreena McKennitt
The Lady of Shalott Loreena McKennitt
Lights Of Cheyenne James McMurtry & The Heartless Bastards
London Girl The Pogues
Low Down and Dirty Crooked Still
Lullaby Of London The Pogues
Madame Geneva's Mark Knopfler
Mahur-Reng Matthew Moadel, Said Moadel & Yahya Moadel
Main Title Maurice Jarre
Malaguena, Isfahan Matthew Moadel, Said Moadel & Yahya Moadel
Malaguena, Isfahan, Janeh Marayam Matthew Moadel, Said Moadel & Yahya Moadel
Marco Polo Loreena McKennitt
Marrakesh Night Market Loreena McKennitt
Mas Que Nada (2011 Rio Version) Sergio Mendes
Mascara Tears Richard Thompson
Medley: The Recruiting Sergeant/The Rocky Road to Dublin/Galway Races The Pogues
Memorial Day James McMurtry
Metropolis The Pogues
MGB-GT Richard Thompson
Mi Corazon Gipsy Kings
A Mi Manera (My Way) Gipsy Kings
Mingus Eyes Richard Thompson
Mona Lisa Israel Kamakawiwo'ole
Monteleone Mark Knopfler
Moon Cradle Loreena McKennitt
Moorea Gipsy Kings
Moorea Gipsy Rayes
Mother Knows Best Richard Thompson
Mujer Gipsy Kings
The Mummers' Dance Loreena McKennitt
Murmullo Buena Vista Social Club
Mystery Wind Richard Thompson
The Mystic's Dream Loreena McKennitt
Navigator The Pogues
Never Ending Road (Amhrán Duit) Loreena McKennitt
Night Ride Across The Caucasus Loreena McKennitt
No Vivere Gipsy Kings
No Volveré Gipsy Kings
Oh Eh Oh Eh Gipsy Kings
Oh, Agamemnon Crooked Still
The Old Main Drag The Pogues
The Old Ways Loreena McKennitt
On a Bright May Morning Loreena McKennitt
Oops!...I Did It Again Richard Thompson
'Opae E Israel Kamakawiwo'ole
Orgullecida Buena Vista Social Club
Oy Gipsy Kings
A Pair of Brown Eyes The Pogues
Panini Puakea Israel Kamakawiwo'ole
The Parting Glass Loreena McKennitt
The Parting Glass The Pogues
Passion Gipsy Kings
Penelope’s Song Loreena McKennitt
Pharaoh Crooked Still
Pida Me La Gipsy Kings
A Pistol for Paddy Garcia The Pogues
Planxty Noel Hill The Pogues
Poor Ellen Smith Crooked Still
Prologue Loreena McKennitt
Prospero's Speech Loreena McKennitt
Psycho Street Richard Thompson
Pueblo Nuevo Buena Vista Social Club
Punish the Monkey Mark Knopfler
Quiero Saber Gipsy Kings
Racing To The Red Light James McMurtry
A Rainy Night In Soho The Pogues
Read About Love Richard Thompson
Red Dress James McMurtry
The Rocky Road to Dublin (Live) The Dubliners
Ruby and Carlos James McMurtry
Sacred Shabbat Loreena McKennitt
Sally MacLennane The Pogues
Samain Night Loreena McKennitt
Samba de Orly Bebel Gilberto
Santiago Loreena McKennitt
Sapo Cai Carlinhos Brown & Mikael Mutti
The Scaffolder's Wife Mark Knopfler
Shane And Dixie Richard Thompson
Shenandoah Richard Thompson
The Sick Bed of Cuchulainn The Pogues
Sin Ella Gipsy Kings
Sit Down By The Fire The Pogues
Skellig Loreena McKennitt
Snow flakes I. Didenko/Soviet Army Chorus/Soviet Army Band/Col. Boris Alexandrov
So Far From the Clyde Mark Knopfler
Soldiers' Chorus (from The Decembrists) Col. Boris Alexandrov/Soviet Army Chorus/Soviet Army Band
Somewhere Over the Rainbow Israel Kamakawiwo'ole
Song For A Deck Hand's Daughter James McMurtry
Song of the Plains (Meadowland) Col. Boris Alexandrov/Soviet Army Chorus/Soviet Army Band
Song of the Volga Boatmen Artur Eizen/Soviet Army Chorus/Soviet Army Band/Col. Boris Alexandrov
South Australia The Pogues
Soy Gipsy Kings
Standing Stones Loreena McKennitt
The Star of the County Down Loreena McKennitt
Starting All Over Again Israel Kamakawiwo'ole
Streets Of Sorrow/Birmingham Six The Pogues
Taking My Business Elsewhere Richard Thompson
Tango to Evora Loreena McKennitt
Tell Her To Come Back Home Crooked Still
Ternuras Gipsy Kings
Theme from "The Absentee" Crooked Still
Thousands Are Sailing The Pogues
A Ti a Ti Gipsy Kings
Too Long In The Wasteland James McMurtry & The Heartless Bastards
Trista Pena Gipsy Kings
True Love Will Never Fade Mark Knopfler
Tu Quieres Volver Gipsy Kings
A Tu Vera Gipsy Kings
Turkish Song Of The Damned The Pogues
Ukrainian Poem Aleksei Sergeiev/Soviet Army Chorus/Soviet Army Band/Col. Boris Alexandrov
'Ulili E Israel Kamakawiwo'ole
Un Amor Gipsy Kings
Undone In Sorrow Crooked Still
Valsa Carioca Sergio Mendes
Vamos a Bailar (Live) Gipsy Kings
Veinte Años Buena Vista Social Club
Viento del Arena Gipsy Kings
Volare Gipsy Kings
Wading Deep Waters Crooked Still
Walk Between The Raindrops James McMurtry
The Way That It Shows Richard Thompson
Where to Now Tristan Clarridge
Why Must I Plead Richard Thompson
Wild Cats of Kilkenny The Pogues
The Wind That Shakes the Barley Loreena McKennitt
Worms The Pogues
Y Tú Qué Has Hecho? Buena Vista Social Club
You are always beautiful Evgeny Belaiaev/Soviet Army Chorus/Soviet Army Band/Col. Boris Alexandrov
You Dream Too Much Richard Thompson
Zambra Matthew Moadel, Said Moadel & Yahya Moadel
1952 Vincent Black Lightning Richard Thompson

Monday, September 10, 2012

I Live

I can see the promise of fall from where I sit in the Sky chair on the front porch sipping a ginormous iced coffee (the ice is also coffee so it will not dilute--serendipity, not design). The morning is cool and sweet, and--like the promise of spring in Chicago in April--not to last. It will be hot again this summer, but for now, it's beautiful.

I have come up for air but briefly before being consumed by the book again. But I do not lament the coming plunge back into the deep. It may be taking more time than I ever thought possible to write, but it is also incredible. I cannot believe the joy and renewal I am finding in the techniques and projects. Even when I am exhausted (as I always am on Monday after staying up very late on Sunday to finish the weekly pages and send them to my editor) I dream both the creativity and science of glass so energetically and vividly that it is hard to stay asleep.

It's funny how when I look back on first dabbling in the alchemy that is kiln-forming glass I didn't really care about the how and the why; I just wanted what came at the end. But now when I look at a technique from a different discipline that I want to adapt to glass, I find myself wanting to know all about it--the history, the science of how and why it works, and how it is being used (or not) today. Only a tenth of that background will make it into the book, but that doesn't stop me from being Tom Petty: I Need To Know. (Side note: It's been so long since I've posted here that I forgot for a minute how to add a link to text... Brain full).

In spite of the book, or probably, becaue of it, I managed to do a piece yesterday to submit to the Niche Awards. It still needs a lot of coldworking... Actually it probably doesn't need much coldworking at all, but I need to (and am, indeed, looking forward to) coldwork it so coldworking it will get.

Enough of a break: There are lists to make and a few pesky life and studio tasks to get out of the way before I can submerge into the depths again for a few hours (days). Bliss.

Monday, August 27, 2012

Old Age, Not War, is Hell


Caribou Mahogany coffee in the Chicago skyline mug, the faint beeping of the construction vehicles backing up as they build a house next door for background music. Chan Chan by Buena Vista Social Club plays in my head. The book progresses (though slowly), the production work progresses (on schedule), and I spent the weekend learning to make paperweights in production. Making them in production is a lot harder than either making them for fun or making them for retail sale. Paperweights made for fun are always perfect, and if there is something you consider an imperfection in paperweights made for retail it doesn't matter as flaws are in the eye of the beholder so someone either buys it in spite of or because of the "flaw"--or doesn't see it as either--or doesn't buy it. But production paperweights (55 of them) made for the same client need to be perfect... and identical.

Tadashi made most of the paperweights while helping me hone my skills, and this week it's up to me to grind and polish the bottoms--not because we didn't firepolish finish the bottoms, but because I then have to sandblast the client's logo on the flat, polished bottom. It will be a full week. Oh yes--and writing, and projects to write about.

Right now I am sitting at the orthopedic (though they spell it orthopaedic) surgeon's office with my mom waiting for her to get in to see a doctor about removing the calcifications from the top of her foot that have grown into the tendon. Being old is hell. It's not so bad growing old, but I look around me at those who have arrived at old age (at least those dealing with orthopedic issues, which is probably all of them), and it doesn't look any fun at all. I want to live forever, but I don't want my body to wear out along the way (my mind either).

But growing old (heck, maybe even growing up) is for future Brenda. Present Brenda needs to get back to writing about gravity and glass.

Tuesday, August 21, 2012

The Saddle Fits

I am back in the saddle again, so to speak. We returned from Montana a week ago now, J started school, and I filled my calendar with all the obligatory meetings, appointments, and stuff that comprise life in Atlanta. Even with a fuller schedule, the book goes well, and the orders for the studio are done and ready to ship as soon as I get stands from Bill...

In a sad bit of news, Tadashi and Corinna have decided that it's just not working for them for Tadashi to commute down to the studio from North Carolina every week or two for three days so he can teach classes and date nights. Domenick has stepped up to the plate to take over as many dates and lessons as he can for the short term, and I am looking at hiring another glass blower. I am also taking on some of the production responsibilities myself--as was the original plan when I got the equipment from Sara and David. Tadashi is coming down this weekend for one last time to work with me and to teach me how to do the production paperweights and flowers myself--and none to soon as I have an order for 55 paperweights.

Even though it's only been a week, Montana is a distant memory now. Life here is vibrant, color-saturated, full, and not unpleasant--though warm and moist it's also chicken-filled, and that's a plus. It's odd to have J back in school. I keep thinking that I hear her upstairs or that I need to take her to do something, but she's elsewhere.

The big news and project for the next couple of months is, of course, The Book. It's coming along well, but the deadline is now exactly two months from today, and I am going to meet it this time.

A book is an odd, living, thing. Like a child, it seems to come out with a mind and personality of its own. I certainly never expected to write so much (and still be writing it!) on the technical workings of a kiln, and yet today I am hoping to finish pyrometers, thermocouples and relays--after 20+ pages on insulation, elements, element placement and controllers I already wrote. The splitting headache I have from yesterday's dental ordeal is not helping, but I still plow on. Tomorrow, no later than Thursday, I need to have the tools and maintenance section finished and be on to the projects. Oh the fun I am having with the projects! I am doing things with glass that I had never seen or heard of anyone else doing before conceiving of them myself. I am messing around with ceramic powders, enamels, glass powders, and thin sheets this week--all things I do not usually incorporate into my own work. Research has, of course, turned up other people messing around with some of the same techniques, but I am studiously avoiding looking at their work or methodologies as I want to figure out how to do it on my own. These projects (and their write-ups) are the culmination of the work I started in Montana this summer, and just thinking about them gets me all enthused and excited in ways that hi-temp resistance wire properties and behavior just doesn't.

Now it's time to take the glass furnace lid up to Olympic to get it replaced and pick up the rebuilt furnace that they did over the summer. Then projects (and shipping), then writing, then sleep. Wash, rinse, and repeat the previous sentence (minus the shipping) for the next two months and, voila! book!

Wednesday, August 08, 2012

The End is Nigh...

Time for an uber quick post before heading to the lake for one last day. We're not starting back to Atlanta till Saturday, but tomorrow and Friday will be filled with writing and packing. Dave already flew to Austin yesterday morning--thus avoiding all the madness and chaos sure to ensue after six people spend two months in Montana and four of them prepare to drive back. I still haven't decided what of the studio I'm taking back. Definitely not the kiln. Maybe not the glass--though I brought a lot of powders out with me that I would need to replace.

Two months turns out to be the blink of an eye. I had many more projects scheduled than I was able to get to... but that is another post. Today is a look ahead to what little time remains. There will be one more lunch at the Smokehouse accompanied by girls romping with bunnies (and no bunnies making their way home with us--cute though they may be). I probably still won't get in the lake, but you never know--it's supposed to be pretty hot today and I may succumb.

Tomorrow my uncle and Susan are taking the girls into Missoula to the Missoula County Fair. They get to see all the 4-H exhibits, eat cotton candy, ride the rides--maybe even see some horse racing (though I don't know if it's still a part of the fair--it used to be when I was a kid). I envy them, and would like to go, but my editor is adamant I write instead. *sigh* crack that whip!

Kyla's parents arrive Friday night to scoop her up on their way further west to a wedding. I am supposed to be at a reunion for staff of my high school newspaper Friday night, but I'm not sure how I'm going to pull it off.

And now our friends are here and we're ready to head out! More later...

Sunday, July 22, 2012

I am a Steel Magnolia

A perky sauvignon blanc accompanying a plate of Dee's chicken livers on some just-past-al-dente pappardelle with a lovely saute of mixed vegetables on the side for dinner. A perfectly appropriate southern meal on a perfect southern summer night as I watch the quintessential summer southern movie, Steel Magnolias, for the very first time. Wow. Watching Dolly Parton do Julia Roberts hair was an experience all in itself. I need my people around me now. Where's Stacy? I can't believe I am watching Steel Magnolias without Stacy! Or Todd! Where are my girlfriends?
__________________________________

The movie is over now, the tears are almost dried. Guess it wasn't the best movie to watch alone. Maybe I should have gone for Death Race 2 after all. *sniff*

More tomorrow. Maybe even about glass, and the book, and why I'm in Atlanta instead of Montana.

Thursday, July 19, 2012

Alone In Atlanta

Upon scrounging, I found one, cold, Wild Blue and about six Blue Moons in the fridge (I only drank the Wild Blue and one of the Blue Moons). Also dug up an 1/8 of a bag of Doritos and a rice krispy treat in the pantry. Added them to the half roast beef sandwich, the banana, and the dregs of a bag of roasted almonds--all purchased at the airport in Salt Lake City this morning--and I had dinner! 


I meant to get right down to writing tonight, but instead I vegged in front of the tv and ate and drank watching Les Demoiselles de Rochefort and then The Decoy Bride. Now it's time for bed. The house is very quiet with not a living soul but me in it. I haven't been this alone at home in over 20 years! If not a person, there has always been at least a dog, a cat or a bird around (and I do have the chickens and bunnies here, but lonely though I am, I'm not inviting them in for the night). The dogs, Mom's bird, and all my peeps are cosied up in Montana tonight. I am in Atlanta to get a big commission and some other orders out, and to escort a couple of Jessie's friends back to Montana on the plane next week. I don't like it here alone, but maybe I'll get some good writing done.


Tomorrow night I'll order pizza and open a bottle of champagne. Saturday night there'll be chicken livers up at Dee's. But tonight, it's just me. Think I'll go borrow a stuffed animal from J's room to sleep with.

Tuesday, July 17, 2012

A Breather

I come up for air today after several very intense weeks of writing, researching, experimenting, and hypothesizing. Who knew mucking about with hot glass was so much like science? A few weeks ago I was delving into physics with the study of thermodynamics and electricity. Recently it's been chemistry with a focus on what pigments are how they react with heat (temperature and time), each other, glass, air, etc. I've been trying to beat colored things of different natures into shape and make them do my bidding, but so far they just keep laughing in my face. Cadmium is especially annoying. (Yes, I am mucking about with cadmium, chromium, cobalt, selenium, and a bunch of other um's that could probably end my life spectacularly if I did not take sufficient safety precautions. I am taking such precautions.)

The reason for the post today after such a long hiatus is that I had another official slip in the book deadline and we are now looking at October 21. October seems simultaneously safely far away and terrifyingly near. It won't be easy to finish even with the extension, but at least I can envision finishing.

....I sat down to write this post over an hour ago and now after all the distractions and phone calls I can't remember what more I had that I wanted to say. Guess I'll just go back to writing my tome.

Sunday, July 01, 2012

Let July Begin!

It's a coolish and rainy morning. I have been up for an hour writing, and the rest of the house slumbers on--even Dave. I'm glad the weather is inclement today as yesterday it was so beautiful I ended up playing hooky with the family and heading out to the Lake and then on to dinner at the East Shore Smokehouse.

Yesterday was a challenging day in the Atlanta studio as the crucible in the glass furnace finally gave up the ghost and cracked, spilling molten glass into the bottom of the furnace. The floor of the furnace is made from soft firebrick and it took the glass almost no time to eat right through it and start pouring out onto the cement floor of the hotshop. I have yet to see the gruesome photos of the carnage, but I did get a wake-up call first thing with a description of the damage. Tadashi has the weekend off which left Domenick on his own to deal with it (and Judy to deal with the people scheduled for dates). All dates in the hotshop for the weekend, of course, had to be rescheduled or refunded (at the participants' option). Fortunately the furnace was designed to handle this kind of failure as it has an inexpensive floor that is a separate piece from the rest of the furnace, attached with a couple of latches to the sides. Domenick even thinks he can replace the firebrick in the floor himself this evening and have the furnace up and running (with another crucible) by tomorrow. I hope he can as the timing--4th of July holiday coming up, Dee leaving for here, etc., couldn't be worse.

Now I need coffee. I had a hard time sleeping all night, and though I felt impelled to get up and write this morning, I can barely keep my eyes open.


Wednesday, June 27, 2012

Tribulations and Trials

Yesterday was another incredible day from both work and personal perspectives. I didn't get as much writing done as I would have liked even though I worked on the book pretty much all day. But what I did accomplish--finally working out the logistics for one of the techniques I want to include but hadn't been able to work out exactly how to do it--was great. Then in the evening I had a couple of perfect parenting moments with Jessie and wife/partnering moments with Dave. I went to bed with a smile on my face and celebrated by getting up a little late this morning... whereupon everything went to shinola.

Understanding what's going with Jessie at mealtimes and helping her to communicate more effectively and less offensively about eating is child's play compared to trying to help her with her summer school work. I not not planned to spend time on it with her this morning, but it needed to be done. I had planned to write, but now I'm so frazzled from trying to explain counting in fractions that I can't even remember what color theory is and I could care less what tools I have added to my inventory since the last book.

Time for a couple of deep breaths and maybe a little medication, I mean meditation. On the plus side, I can make glass that floats!

Monday, June 25, 2012

Never Fear

For all those concerned with my current writing output never fear. I AM writing other than here (and now Stranded in the South), and I am writing A LOT. This morning my head is already bursting with book things I need to get on paper so I'm going to go do that NOW. No more posting. If you want more post, see last night's Stranded.

Sunday, June 24, 2012

Caloo Calay!

The rest of the line from which comes the title of this post is "no work today, we're cabbages and kings!". Good thing I am neither a cabbage nor a king as I have PLENTY of work today. Notwithstanding the abundance of work, I will also be going to lake with Dave and the J today--I'll be writing up the projects I am doing this morning. As it's almost noon now, and we want to spend the afternoon at the lake, and I have at least an hour of work in the studio before we go, and we need to stop for walking shoes (for Dave) Keene sandals (for me) and a nerf gun (for J--and maybe a defensive one for me and Dave), I had better leave the long posting for another day. Wherever you are, I hope your weather might end up half as fine today as it is here.

Friday, June 22, 2012

The Seductiveness of Research

The delicate tinkle of wind chimes from the back deck, the gurgle of the coffee maker, and the hum of the refrigerator are my morning Montana music. The warm aroma of the coffee wafts across the cool air coming in from outside, twining with it until they both caress my nose. It's going to be a good day.

Dave is off on a walk, J, Mom and the dogs are still sleeping--Jig in with Jessie and Baxter in with Mom. Bailey, Mom's cockatiel, woken by my tapping on the keyboard as I sit next to his covered cage, has begun a drowsy morning song. I have been awake on and off since 4:24 (you know it's actually starting to get light here at 4:24 am, and it isn't dark till about 10:30--you gotta love summer in the far north) and I really need my coffee this morning.

Yesterday I didn't do much writing, but I did do a bunch of research reading and fact-checking for the section on color and color theory. I read the color theories described by Leon Battista Alberti in 1435, Leonardo Da Vinci in 1490, and Sir Isaac Newton in 1704. From there I explored "The Munsell Color System" by T. M. McCleland from 1935 and read Munsell's own articles from The Psychological Bulletin in 1909 and The American Journal of Psychology in 1912 on the relation of the intensity of chromatic stimulus to chromatic sensation and a pigment color system and notation.  Munsell led to ordering copies of "Josef Albers: Glass, Color, and Light" (Guggenheim Museum) by Fred Licht, Nicholas Fox Weber, and "Interaction of Color: Revised and Expanded Edition" by Josef Albers, Nicholas Fox Weber. Then Dave brought up color and linguisitics right before dinner and...

...I got lost in the scholarly literature surrounding the misnamed Sapir-Whorf hypothesis of linguistic relativity and the effect of one's native language on color perception (and ordered a copy of "Language, Thought, and Reality: Selected Writings of Benjamin Lee Whorf"). From there I jumped to "Revisting Basic Color Terms" by Barbara Saunders, and began delving into Levinson's "Yeli Dnye and the Theory of Basic Color Terms". I decided that, as much as I enjoyed Chomsky's principles of generative syntax in graduate school, I am not at heart a universalist, and I don't subscribe to the theories proposed in Berlin and Kay's "Basic Color Terms"...


...and now today I have already spent three hours back lost in the research docs and on this post--and have written nothing in the book. I did add Zotero to my writing tools and integrated it with Scrivener, but I don't think that is enough of a win to justify the lack of productive word count. 


Think I should get writing for real? Me too!

Tuesday, June 19, 2012

Day 2

The alarm went off at 6:30, and both Dave and I groaned and said, "Let's sleep some more." We had already decided before setting the alarm last night that we wouldn't walk this morning. Instead, we'd save our energy to load the old garage-floor carpets into the minivan for the dump and set-up the studio equipment. So when we decided to sleep a bit more, I was prepared to reset the alarm for 7:00. But Dave was a rebel and recommended that we just wake naturally. Of course 15 minutes later I was wide awake and guilty as all get out for not getting up on Day 2 of the summer regime. So showered and dressed by 7:15, I commenced my writing day as the rest of the household slept.*

Yesterday no writing was done. I spent the morning ordering the last of the equipment I'll need for the studio here (a bench top blast cabinet) and starting Jessie on her summer homeschool program. The latter of those went surprisingly well. The afternoon began with a trip to the recycling center to empty out Mom's old minivan and make room in it for the carpet going to the dump (not only do you have to separate everything out here, but you also have to drive 15 miles a neighboring town to the recycling center as there's no pick-up). Then we came back to the house and switched vehicles for a trip to the lake property to unload everything stuffed into my minivan designated for storage there from it so we could stop at WalMart (the ONLY local version of the old-time mercantile store) on the way home to get J a new bookcase. I plan to take the metal storage shelving from her room today to use in the studio so she needed a replacement. And finally, we went to the post office to find out where, between Atlanta and here, our mail is. The only less-than-successful stop was the post office as they, unsurprisingly, have no clue where our mail is. The day ended with cello for J--and I'm going to have to rethink the cello timing a bit as doing it at the end of the day resulted in several meltdowns on J's part and a less-than-good practice. The carpenter also came to talk to me (again) about replacing the rotting deck here and adding a roof over a section of it in back. 

Today the electrician comes to put in the wiring for the kiln, and everything we bought last week gets delivered. It's going to be a chaotic day, and I am determined to write in spite of it! Now onward and penward.

*Dave slept in for about 10 minutes after I began this post. So much for a sleepy morning in.

Monday, June 18, 2012

A New Chapter

I've hemmed, and I've hawed. I've dillied and dallied. But now it's time for some metaphor that means let's get on with It. The first half of my year is over--with all its attendant requirements, obligations, responsibilities, and necessities. Now the next quarter begins, and I have been looking forward to it for months! This quarter is Montana and the book. That's it. I am setting up a small studio today in Polson for testing and experimental work--no production. The Atlanta studio continues to run without me thanks to the uber-capable Judy, Dee, Becky, Tadashi, Todd, Brian and Domenick. The house, chickens, bunnies and pond are being cared for by Stacy and my cousins Andrew and Rachel who just moved here from Tucson--as well as Judy and Dee (eggs ahoy!). I have shed my southern skin and settled into my northern roots--at least for awhile.

A lot has happened since I last posted--so much that I didn't even have time to write about it. Fast forward to the first week in June. While Dave went to Austin for his regular work trip in the beginning of June, I moved the rest of the family (sans the aforementioned chickens and bunnies) to my mom's house in Polson for a summer up at Flathead Lake. On the way, we stopped in Florence Kentucky for a weekend so I could take a two-day enameling workshop in nearby Newport at the WW Carpenter Enamel Foundation--part of Thompson Enamels. It was an intense, amazing experience, and I look forward to adding enameling and cloisonne to the studio's class offerings and my personal work in the fall. In the meantime, the workshop will provide material for The Book.

The Monday morning after the workshop we left Kentucky in the fully (and I mean to the ceiling fully) loaded minivan. In the way back was our luggage for the summer, everything I need to set up a small studio--including a medium-sized kiln on a stand. On top of the kiln and stretched across the rest of the boxes nestled up to the roof was Jessie's cello. It's going to be a summer for Jessie too--but more on that in a minute. In the middle if the car in the passenger seats were Jessie, her luggage, some more glass studio supplies, and the dogs with all their food and gear. Mom and I and her bird shared the front (the bird was in his travel cage between the front seats). The drive from Florence to Polson took two days and covered almost 2,000 miles, crossing three major rivers and winding through the massive mountain range that is the Rockies before finally traversing the continental divide into western Montana.

The next couple of days after our arrival were not spent resting up. Instead we cleaned out the big family room downstairs preparatory to making it our main living space for the summer. We hauled out trash, recycling, stuff for the second-hand store, and stuff to store at the lake (there's a big metal building on our property there for storage and workshop). Dave flew into Missoula from Austin on Thursday, and I went and got him and brought him up to Polson.

In the last couple of days we acquired the last things we need to make this house a complete home-away-from-home and put together Jessie's summer study schedule. Our acquisitions include a comfy couch, a big tv (we brought the Apple tv and all our movies on hard drives with us), an outdoor table and chair set, and a gas grill. I also upgraded the house wireless--turns out we still had a 256k pipe. As of tomorrow it will be 8Mb--and finally adequate for Dave to work form the house and us to rent movies on-line from Netflix.

Jessie's summer study packet is a magnum opus all on its own. She has math worksheets, flashcards, timed worksheets and quizzes. She has over 2400 pages to read in eight books, weekly spelling lists, cello review and new songs, eye exercises (to strengthen her eye muscles), daily journaling (for writing), a photography course, and a programming class with her father. All the materials--including worksheets for extra credit (points she can use to buy things or get special treats)--are in a binder with these pages for guidance/reference. I now have a sense what homeschooling would entail, and I know that if push came to shove, I could definitely do it.

This morning started at 6:30 with a four-mile walk with Dave. Now I'm posting, and in a few minutes I will roust Jessie to being her day, and I'll head into the new studio to set-up and begin working on the book again! Dave is off to the coffee shop for better bandwidth. This is truly the life.